Mind Over MIDI
Arctic Beats 2

With this his 3rd Ep for AUS Tee Mango continues to cement his identity as a craftseman of the understated house Groove. EP#3 features a selection of expertly dug samples, that sit effortlessly alongside played keys, drums and percussion. With his love & respect for leftfield house masters Moody & Pepe Braddock worn here like a bage of honour.

From "Tomorrow" and back to plus thirty years, more precisely in 1987, a teenager named Thomas, Thomas Barnett the full name, released the track "I Can Feel It" mixed by Juan Atkins, one of the first mix by who became the main DJ and producer from Thomas's hometown, Detroit. Today "I Can Feel It" is a very hard to find record that finally will be available for an official reissue via Omaggio, after a skillful re-master from the original source by Andy Toth former member of Detroit Grand Pubahs.

Return the Unreleased series with 2 amazing tracks by John Beltran and Man-D.A. Melodic Detroit Techno.

A renegade rave at the state lines with dual headliners FSOM and Andy Rantzen. Architects of the Future Sound of Melbourne, FSOM reigned as their city’s scene evolved from underground clubs to vast waterfront wonderlands, alternating between playing studio tracks off cassette and jamming live. The combination of Josh Abrahams, Davide Carbone and Steve Robbins, the trio slipped a DAT to Belgian touring artist Frank De Wulf who signed them for their first international release on Two Thumbs. Track 6’s sinister bassline and mind obliterating stabs continued to travel as a staple of Sven Väth and John Wink’s record bags. 1993 to eternity. Andy Rantzen’s Harmonic Eye speaks a similar vocabulary. Running parallel to FSOM in Sydney, Rantzen united the masses with Paul Mac as Itch-E + Scratch-E, producing crystalline rave, cheeky breakbeat and techno resistance. Lifted off his downtempo 1999 solo CD The Blue Hour, Harmonic Eye is a certified warehouse burner of alarming alien bleep and widescreen trance. Once you were blind, now you can see.